So I made some further observations after the first review yesterday. I also got a message telling me that other and more detailed shots are needed to see. So here we go. Below you will find the corner and center crops from shots I took today in the morning. The shots were made handheld and the ISO was limited to 100. First the center shots of a street scene using apertures 2.8, 4 and 8 As you can see, the center gets sharper at f/4 to soften up at f/8. Next you will see the details in the upper right corner. As you can notice there is a slight purple fringing which gets softer when the lens is stepped down. Strangely enough the shot at f/4 is not sharp. I think the branch has moved in the wind, but the wall looks sharper.You can find the full SOOC shots here. As a conclusion I have to say, that for me the lens is very fine wide open. I haven’t considered if I prefer f/8 or f/16 for my night cityscapes. What still is strange to me is that the lens falls in to a resting position when turned off with a hearable soft *tock*. What I have not tested by now is the fact, that the lens seems to take long to “boot” – the Iris is closed and opens wide only to get stepped into positions. I will save this for the next blog entry. If you have questions you can also leave a comment. @Edit20120420: A reader mentioned that he thinks the blurriness at f/4 in the corner could be due to the exhaust of the truck you see. This sounds reasonable as everything is a little bit blurry in that corner.
When I first took it out of the packaging I thought it was broken. But the lens element is not fixed if the lens is not “on”, aperture is closed.
Size is smaller than the 18-55 kit lens, I would say it is as if someone cut the kit lens between zoom and focus ring. Build quality is high and solid plastics. It feels good and I like the smooth focus ring. I tried some shots, could not find any odd things. I doscovered some very soft magenta streaks in very high dynamic regions when pixelpeeping. Concerning the quality I would say that this is a no-brainer for Euro 199,-.
For those of you who like pixelpeeping I have some testshots in f/2.8, f/4 and f/8 at my ge.tt acount, for all the others: A wallpaper in Full-HD.
The three wise monkeys are a nice pictorial maxim. 見ざる, 聞かざる, 言わざる which literally means “don’t see, don’t hear, don’t speak”. It got a negative connotation in the western world.
I really like the old interpretation.
Look not at what is contrary to propriety; listen not to what is contrary to propriety; speak not what is contrary to propriety; make no movement which is contrary to propriety.
It does not have this negative touch, if you see propriety in the eye of the beholder.
Find a “Three Monkeys” wallpaper in Full-HD (1920×1080) here:
Edit 1: There are pictograms of the three monkeys in unicode! See page 2 in the right column middle section.
I love parcels. This does not mean that I do not understand all the packaging. I ordered the Upgrade to Adobe Lightroom 4, which is a great piece of software by the way.
As much it was fun to get the CD out of the box out of the box out of the box, there is the one question remaining: Why use so much air to package such a great product, where a nice small package with the serial number would be more than enough?
Do you know Parkinson’s law? Well, maybe you do not know that you know it.“Work expands so as to fill the time available for its completion.”
Sounds familiar? You know what happens if you give a task a certain amount of time. You will use it. Or fill the spare minutes with things you do not need to do. It seems that the application of Pareto’s law gets better when time is not available.
Maybe you take the wallpaper (which will fit a screen with 16:9) and let Mercury remind you that there are tasks which need to be done. Parkinson’s law and Mercury seems to be a strange combination – if you think of Mercury as a god of trade and travel, the importance of effectiveness over efficiency clearly makes sense. But this is a different story…
The uncropped version of the picture can be seen on 500px.com